3rd moment: Abstraction of colors for greater emphasis on matter. From concrete to colorful glazes.

 

“Maioba”, the series of the artist’s pictures that connects to her childhood, is where she looks for the depths of matter. Yolanda concentrates her attention on this third moment, on the density of ink, the movements and the textures. She wants to be the instrument that enables the matter to speak out. Makes exhibitions “Reds”, “In White”, “Empty Line”, “The Banquet”, “Time and Matter”. In a clear and constant movement, she looks for that matter through textures and shapes. Which is evident through the use of concrete that she utilizes to sculpt walls and diverse objects in concoction with different materials.

 

Her main activities from that period are:

 

1986 – “Maioba” – Painting-Objects (IBEU Art Gallery, Rio de Janeiro)

1987 – “In White”- Paintings (Klee Art Gallery, Rio de Janeiro)

1987 – Installation Project: “Empty Line” (Pampulha, Belo Horizonte)

1988 – “Maioba”- Paiting –Objects (9 Colonne Spe Gallery, Brescia, Italy)

1989 – “Yolanda Freyre Paintings”(Ars Artis Gallery, Sao Paulo)

1989 - “Maioba”- Paiting –Objects (9 Colonne Spe Gallery, Trento and Genoa, Italy)

1989 – “Oil Paintings” (Ars Artis Gallery, Sao Paulo)

1991 – “Reds” – Paintings and Objects in concrete (MNBA – National Museum of fine Arts, Rio de Janeiro)

1994 – “In Memoriam Per Vitae” – Oil paintings (The Pump House Gallery, London, England)

1996 – “The Banquet”- Objects in concrete and installation (MNBA - National Museum of fine Arts, Rio de Janeiro)

1997 - “The Banquet”- Objects in concrete and installation (Cultural Space at Center of Human Sciences, UniRio – University of Rio de Janeiro)

1997 – “Time and Matter” (Correios’ Cultural Space, Rio de Janeiro)

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